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Health Flare August 22, 2009

Posted by coqfosters in Uncategorized.
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I had it in my head, before Barney Frank dropped the ice bucket of satire onto the flame of ignorance, that I was going to write some sort of burning criticism of American culture as the teeming uninformed masses have somehow chosen the moment of The Great Health Care Debate to rear their heads once more, displaying that while America has some unbelievable features to be proud of (history of innovation, liberty, the highway system, Beyonce’s hips, Gordon Beckham), its backside is tainted by the sort of cultural hemorrhoids even Arnold Klein wouldn’t be be able to do anything about.

Banksy, somewhere, is probably finding the omnipresent, crude copying of his style quite hilarious. Why wouldn’t he? Suburbanite nerf bats are taking to the streets, frothing with anger and waving their homemade banners of the president with blood dripping from his mouth, in clown make-up, or looking like that old bag of chuckles himself, the Führer. And of course it was the latter exhibition that became internet-famous when some know-nothing shat the bed when she had her 15 seconds to really ask the tough questions and, as a constituent, grill her democratically elected representative. Instead, Mr. Frank shot her down and all of these recently smug bed wetting centre-left wingers waved it in everyone’s face on their Twitter feeds.

For me, that should really be the end of it, but there’s still something inside that leads me to ask: Hitler? Why? Is it because that is the only shocking historical figure that Americans can really associate with something that’s bad? I know I’m a day late and an idea short, but the analogy is so feckless it really does beggar belief. On one hand, you have a guy who, whether he is right or not, whether you agree with him or not, is trying to change the way people get medical assistance in a way that he believes is for the better. On the other hand, you had a guy who wanted to give people he viewed culturally and genetically superior more Lebensraum by murdering everybody else. That comparison’s the kind of farce that the Iannuccis, the Moffats, the Linehans couldn’t ever possibly write. It’s just beyond absurd.

And of course, yes, it’s offensive. But what’s most offensive isn’t the metaphor. What’s offensive is that the people who are raging with a sense of injustice (to a proposed change to a facet of the way they live their life), are by and large completely unable to actually take a second and learn the facts. That they, when faced with the opportunity to give their representatives an informed piece of what of they think, decide to instead halfheartedly wave a crudely photoshopped image around and shout allusions to the Third Reich, a term they probably couldn’t even spell nevermind describe, and one of the words comprising it is in English.

What’s offensive in this day and age is that those who are so wound up with anger about something that might or might not impact their health and well being were nowhere to be seen when thousands of their countrymen were taking a vacation to the other side of the world and coming home in coffins. And what’s amazing is that ten years ago, any average idiot could peddle hate and gain a following while hiding behind their keyboard. Now you can do it while influencing thousands of your compatriots from the sanctity and safety of a major network studio, and no one’s going to think twice because who has time when they could be playing The Sims?

Or is it no one except Olbermann and Maddow, the supposed “great white hopes” of sane thinking that have had their bollocks chopped off by the fact that instead of reporting with any shred of dignity, they have chosen to present their programs for entertainment’s sake. And when you do that, you lose cred, you’re no different than the Becks and O’Reillys. You’re the other side of the same coin. Because it’s about ratings and therefore, it isn’t about those who laugh last laughing best, it’s about those who laugh at all bringing ad revenue. Hell, if Bush had introduced this plan, who’s to say we wouldn’t see the same folks waving a photoshopped image of him at Orrin Hatch from a printout they got off Rachel Maddow’s website?

Anyhow, I was going to level some sort of thought out critique of what this all really means and how we’re lurching into some sort of 21st Century Trailerpark McCarthyism but frankly I can’t really be fucked. At this point, Obama should just get on with it, grow out a little moustache and with a wry smile tell everyone he was actually inspired by Charlie Chaplin, the old commie pinko. Now that’d really get their goat.

Skating Among Skyscrapers November 25, 2008

Posted by coqfosters in All your life, NYC.
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EC came down and asked if we wanted to go ice skating on Friday. It was her birthday do. Just the idea of it was euphoric. Bryant Park? I’m there.

I mustn’t have been skating in what seemed like years. That’s probably because it was years. I never used to go a week without hitting the ice, even in the summer. I put my skates in my bag Friday before work and wouldn’t have had to worry about ruining it – the blades were too dull from years of moving from closet to closet.

We met in front of the office and headed up on the R to Bryant Park. It’s a miniature Winter Wonderland they’ve built beneath the skyscrapers, with no small contribution from Citi, whose massive banners were all over the park letting us know in no uncertain terms who was subsidising our free skate. You’d have thought with the massive layoffs they wouldn’t have money for that, but as I’m all too aware, it seems most of business is style over substance.

On the first properly cold Friday of the year, it’s no surprise the crowd was massive, but what amazed me was that there were loads of great skaters in the crowd, mostly kids. Where did these people grow up in NYC that they could skate consistently enough to get that good? With the exception of the Chelsea Sky Rink, it seems every other rink is outdoors. Ice time is hard to come by.

On the other hand, I was surprised at how well I could skate. I’d always been extremely confident but it really is like riding a bicycle, you don’t forget how to do it. What I did forget though was how much better I felt from doing it, from the excercise, something I never got from running. Rollerblading isn’t the same, and when you’re ice skating you’re not the only chump doing it. I went back to the office afterwards and dropped off my skates in my desk. A new old hobby for winter worknights I feel…

Saturday night I headed back down into town for the We Are Scientists show at Irving. They’re running some great art on the Subway at the moment, even installation pieces. While waiting for the Q at 34th Street, I came across the REACH New York, An Urban Musical Instrument installation. If you didn’t see the signs, you wouldn’t have even known it was an art piece, just two green bars stretched along the platform. The idea is that you put your hands over various sensors and it makes sounds. There is a bar on the opposite platform as well, so uptown and downtown travellers can collaborate to make music together. A fantastic idea! A great break from the banality of staring into space on the platform wondering if the train is ever going to come.

 

Once I got on the Q (one of the brilliant new R160s), I also noticed the fantastic piece above from Chris Gall spanning the bench opposite. Gall is a fantastic artist in his own right and you can find more of his work on his website.

Finally, I met up for drinks with RJ at the King’s Head and then headed over to the show. The last time I saw W.A.S. was at The Syndicate party during last year’s CMJ. They were still working on new material and it wasn’t a hugely confident show. The difference in their stage presence was like night and day. This was a mature band, segueing seamlessly from track to track. Decent turnout as well, and you couldn’t throw your drink without hitting a socialite (though that’d likely be the point). The only down side of the gig was that the mix was substandard and Keith’s guitar (and at times his vocals) was drowned out for much of the show. But nevertheless it felt like seeing a band come of age.

It was the last gig of a busy concert season, and likely of the year for me. Kentucky calls on Wednesday, and then we regroup for a frantic finish to the year before the holidays. Still not exactly sure where I’ll be on New Year’s, but all signs at the moment point to heading from the 212 to the 312 for 2009. If you’re going to be in the Windy City too, give me a shout.

Muxtaposition July 4, 2008

Posted by coqfosters in Music business.
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I met a really fantastic senior music business guy at work yesterday who, on noticing my new Liverpool shirt, told me stories about the great days back in the 70s when he and a few other fans of the game helped bring the likes of Pele and – particularly – George Best to America to compete in the old NASL. I was just stood there thinking “I can’t believe I’m hearing this!”

Pele @ CosmosI’d love to be able to live a day of what the business was like back then, the halcyon days of vinyl when you had tried and true hitmakers, people who were really in on the ground with several platinum acts. Maybe it wasn’t really like that all around, perhaps it’s more just romantic thinking on my part, but I’d like to think it was a bit like the wild west… all of these record business cowboys cutting deals, putting out great (well, maybe not so much in the 70s) albums with fantastic and ridiculous artwork and stockpiling plaques on the wall for young up-and-comers to gawk at as soon as they set foot in the office. Incredible!

That being said, I think there’s something terribly exciting about the turbulent times we’re in now. There are so many ways people want to consume music and so many different things to get involved in that the possibilities really are endless. That’s the positive spin. The negative side of things is that sometimes you do feel like you’re fighting a war… you win the odd individual battle here and there but you have no idea what the landscape is going to look like when it’s all said and done. How is the world going to work?

I always try to put these things into context. No one should feel any degree of pressure because those things aren’t good for creativity, and that’s what these times require most. As much as I tend to resist quoting Jose Mourinho, he said:

“Pressure? Pressure of what? Pressure is millions of people in the world having no money to buy food for their children. That is pressure.”

The same is true here, and that always lends some perspective. I loathe complacency with every fibre of my being but at the same time you have to take a step back sometimes and think how fortunate you are to walk through a door every day and get to hear stories about back when they brought the great George Best to America and filled up the LA Coliseum. Especially while on the other hand I come home and watch a documentary on how kids in Africa are affected by HIV when either they have to live with it themselves or have lost parents and have to look after their own lives.

Watching that documentary made me reflect on the earlier story because so many of these kids have dreams of being that next Pele, Best or Beckham (or on a local level, Kanu, Eto’o or Essien). On the face of it there is little to no connection between the music business and the football pitch but it made me think that if we can ever figure out how to be successful again maybe we might be able to have some part inspiring sporting legends and a whole new generation of icons and heroes for kids – around the world – who have nothing but dreams. And if we’re not, at least I know something I’ll want to work on next.

On a somewhat related tangent, check out this remarkable ad campaign for AIDS awareness in France (link).

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